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Friday September 25, 2009
Industry Canada Responds: Copyright Consultation Submissions Are Coming
I spoke earlier today with an official at Industry Canada regarding the thousands of missing copyright consultation submissions. I was advised that there was a huge spike of submissions toward the very end of the consultation period.
I spoke earlier today with an official at Industry Canada regarding the thousands of missing copyright consultation submissions. I was advised that there was a huge spike of submissions toward the very end of the consultation period. There were slightly over 8,100 submissions, a huge number in comparison with virtually any other government consultation in recent memory (consultations typically draw 50 to 100 responses). The government is committed to posting all submissions in HTML format due to access concerns. Since many submissions arrived in PDF form, there is considerable coding work underway. Their current plan is to continue to post submissions with the hope of completing the job over the next few weeks. For those seeking to search the posted submissions, CCER has just launched a search engine of consultation submissions.
2009 Copyright Consultation
I spoke earlier today with an official at Industry Canada regarding the thousands of missing copyright consultation submissions. I was advised that there was a huge spike of submissions toward the very end of the consultation period.
Thursday September 24, 2009
Where Are The Copyight Consultation Submissions?
For the past week, I've been receiving daily emails from Canadians asking if I know why their copyight consultation submission has not been posted. The website currently includes some submissions for every day the consultation was open (September 15th), yet there are thousands of submissions that are still not up. My last update accounted for just over 4,000 submissions and there are rumours that the final number topped 7,000 (10 times the number of submissions in the 2001 consultation). While some delay in processing and posting all of those submissions is reasonable, the lack of information about the situation is not. The government opened the consultation with a strong commitment to openness and transparency. That should continue to the end of the consultation with a full update on status of the missing submissions, the reasons for the delays, and the anticipated date for the posting of all submissions.
2009 Copyright Consultation
Tuesday September 15, 2009
(New) Last Day To Submit to Copyright Consultation: More Opinions Posted

Today is the new last day to submit to the copyright consultation with the grace period expiring at midnight.  It only takes a single email to register your views.  Whether you use a form letter or craft your own submission, every submission counts.  More posted views and submissions include:

2009 Copyright Consultation
Tuesday September 15, 2009
Tracking the Copyright Consultation Discussion Forum: Final Results

Throughout the copyright consultation, I've been assisted by University of Ottawa student Frances Munn, who has been tracking the discussion in the online forum (earlier updates here, here, and here).  While submissions will still be accepted until midnight tonight, the discussion forum is now closed.   The forum attracted over 2,000 comments with a summary posted below.

2009 Copyright Consultation
Monday September 14, 2009
Still Time To Speak Out: Government Grants 48 Hour Extension For Submissions

The government has just announced that there is a 48 hour extension on submissions to the copyright consultation.  While the discussion forum has closed, Canadians now have until Tuesday night to submit their views on copyright.  If you missed last night's deadline, there is still time to craft your own submission, use a form letter, or send out a quick email.  There were many new submissions of note posted online over the weekend.  They include:

An op-ed in The Mark from Queen's University Principal and Vice-Chancellor Daniel Woolf is also a must-read. Woolf focuses on four key issues:

1.      Digital locks, though they may be used to stop piracy, must not impede users’ rights.
2.     Fair dealing ought to be clarified and amplified.
3.     Specialized exceptions ought to be used sparingly because they likely wouldn’t be able to keep up with technological change or accommodate a range of reasonable educational practices.
4.     Licensing mechanisms must not be seen as a substitute for users’ rights.

The absence of an educational exemption for the Internet - as advocated by the AUCC - suggests that more of the educational community is (rightly) shifting toward fair dealing and DRM as the critical issues.

2009 Copyright Consultation
Sunday September 13, 2009
Canadian Copyright Law: Charting the Change

On this last day of the copyright consulation, I have been amazed by the number of people who have written recently with news of their submission posted on a blog or other site (examples here, here, here, here, here, here, and here).  The government reports that they have received over 5,000 submissions, but it is clear that number is going be higher by the end of the day. 

One of my favourite submissions comes from Wallace McLean, who focuses on public domain, archival, and photography issues.  While the submission is not yet online, he was kind enough to grant permission to post the charts below.  The first tracks the cumulative number sections of the Copyright Act that have been amended, added or repealed.  The second shows the cumulative number of copyright bills that have been introduced in Canada.  I think both charts speak for themselves - far from being an archaic law that never changes, copyright law in Canada has undergone considerable change, with the most dramatic reforms occurring over the past two decades.  The end of the consultation signals that these charts will continue to grow in the coming months, making it more important than ever to ensure that you speak out on copyright today (literally today).

Canadian copyright act ss. amendments Canadian copyright-related bills

2009 Copyright Consultation
Saturday September 12, 2009
New Copyright Consultation Submissions of Note

With two days left, many organizations are posting their final submissions to the copyright consultation online.  Recent postings include:

2009 Copyright Consultation
Friday September 11, 2009
The Copyright Consultation: My Submission

For the past several weeks, I have been summarizing the thousands of copyright consultation submissions. With only three days left in the consultation, it is time to post my full submission (a short version was posted at the very start of the consultation). It can be downloaded in PDF form or viewed below. It only takes a single email to register your views. Whether you use a form letter or craft your own submission, every submission counts. Speak out on copyright today.

Copyright Consultation Submission

My name is Michael Geist. I am a law professor at the University of Ottawa, Faculty of Law, where I hold the Canada Research Chair in Internet and E-commerce Law. I am also a syndicated weekly columnist on law and technology issues for the Toronto Star and the Ottawa Citizen.

I have been actively engaged on copyright reform issues for many years. In 2005, I edited In the Public Interest: The Future of Canadian Copyright Law, an 18-essay collection that assessed Bill C-60. I provided extensive commentary on Bill C-61 on my blog with dozens of postings examining virtually every major provision in the bill. I have appeared before several Parliamentary committees on copyright issues and I founded the Fair Copyright for Canada Facebook group, which grew to more than 92,000 members in the weeks following the introduction of the bill. In the fall of 2008, I released Why Copyright?, a documentary film co-produced with Daniel Albahary that featured interviews with a wide range of Canadians on the issue of copyright reform.

I was grateful for the opportunity to participate at the copyright roundtable held in Gatineau, Quebec this past July. This submission supplements those comments with additional specifics on recommended reforms. My comments are provided in my personal capacity as a Canadian with a keen interest in the future of Canadian copyright.

Copyright Reform Process

Before addressing the consultation questions, I have two comments about process. First, thank you to Industry Minister Clement and Canadian Heritage Minister Moore for launching this consultation. As promised, it has been fair, transparent, and accessible to all Canadians.

Second, this consultation should be viewed as the start of an ongoing process to craft Canadian copyright law. Once a bill is tabled, it is essential that Canadians again have the opportunity to register their views through an open, comprehensive committee process. Moreover, Canadians should determine the shape and scope of Canadian copyright law. International treaty negotiations, particularly the ongoing Anti-Counterfeiting Trade Agreement discussions, should not effectively pre-determine domestic reforms. The ACTA negotiations have generated considerable concern among many Canadians and the government should demand that those negotiations be conducted in an open manner with the release of draft text for public comment.

Why does copyright matter?

The consultation’s first question is also the most personal since the answer will be different for almost everyone.

For me, copyright matters because I am a professor and my students need access to copyrighted materials and the freedom to use those materials. It matters because I am a researcher who needs assurance that as materials are archived they will not be locked down under digital rights management. It matters because I am deeply concerned about privacy and fear that DRM could be harmful to my personal privacy. It matters because I have created videos and need flexibility in the law to allow for remix and transformed works and do not want my content taken down from the Internet based on unproven claims. It matters because I am a writer and I need certainty of access to speak freely. It matters because I am a consumer of digital entertainment and I want the law to reasonably reflect the right to view the content on the device of my choice. It matters because I am a parent whose children have only known life with the Internet and I want to ensure that they experience all the digital world has to offer. It matters because I live in a city with a strong connection to the digital economy and we need forward-looking laws to allow the next generation of companies to thrive. It matters because I am a proud Canadian who wants laws based not on external political pressure, but rather on the best interest of millions of Canadians.

How to remain relevant?

Developing copyright law principles that remain relevant years from now is unquestionably a difficult challenge. With references to VHS tapes and the decision to block network-based PVR services, Bill C-61 was outdated the moment it was introduced. In order to introduce legislation that will stand the test of time, the government needs a principle-based, forward-looking approach. I would argue that there are four essential ingredients.

First, copyright law should strive for balance between creator rights and users’ rights. If the law tilts too far in one direction, the other side is virtually guaranteed to put the issue of reform back on the table and the changes do not last.

Second, the law must be technologically neutral. Copyright has proven remarkably resilient over the decades in large measure because it states broad principles about the scope and limits of protection. If copyright veers too far toward specific technologies by mandating new protection for specific business models or technological innovations, those rules risk being overtaken as the technologies and marketplace evolve.

Third, the law should strive for simplification and clarity. Copyright may once have been a niche issue understood by a small number of experts, yet today it affects the daily lives of millions of Canadians. If Canadians are to respect the law, they must first understand it. When Bill C-61 proposed a 12-part test to determine whether recording a television program was legal, it rendered the law far too complex for the average person.

Fourth, the law should embrace flexibility, which has allowed many copyright provisions to adapt to continually changing economic and technology environments. Flexibility takes a general purpose law and ensures that it works for stakeholders across the spectrum, whether documentary film makers, musicians, teachers, researchers, businesses, or consumers.

Flexibility applies not only domestically but at the international level as well. The same challenges we face on the domestic front are only magnified at the international level in treaties. That means that those treaties – particularly the WIPO Internet treaties – are more flexible that is often appreciated. Compliance with those treaties can be achieved in many ways and following a single model – such as the U.S. DMCA – is not needed to meet the standard.

What to do?

The final three consultation questions really ask the same thing with slightly altered perspectives – what should we do to foster innovation and creativity, competition and investment, and to position the country as a leader in the digital world. At its heart, each of these questions is asking for comments on proposed reforms that are forward-looking and ensure that the goals of innovation, creativity, and marketplace success are met. While it is possible to answer each individually, there is considerable overlap. For example, a more flexible fair dealing provision has benefits for innovation, for creativity, for competition, and for the digital economy. The same is true for anti-circumvention provisions that retain the copyright balance.

In an ideal world, we might start from scratch to create a law that truly makes sense in the current environment. We are not starting from scratch, however. The reality is that there is an international context with treaties we have ratified (Berne Convention) and treaties we have signed but not yet implemented ((WIPO Internet treaties). Moreover, there is a domestic context, with Bill C-61 surely used as reference point.

My response focuses on seven areas of copyright reform.

1. Flexible Fair Dealing

Expand the fair dealing provision by adding flexibility through the addition of “such as” to the current wording.

Led by the United States, several countries around the world have established fair use provisions within their copyright laws (Israel being the most recent). Fair use does not mean free use – rather, it means that there is a balance that allows certain uses of works without permission so long as the use is fair. The Supreme Court of Canada has already ruled that Canada’s fair dealing provision must be interpreted in a broad and liberal manner. Yet the law currently includes a limited number of categories (research, private study, criticism, news reporting, and review) that renders many everyday activities illegal. The ideal remedy to address other categories such as parody, time shifting, and device shifting is to make the current list of categories illustrative rather than exhaustive. This can be best achieved by adding the words “such as” to the current provision. This would be a clean, technology-neutral approach.

In the event that specific new fair dealing exceptions are required (either directly within the statute or to provide guidance on the new flexible provision), key exceptions to address include:

  1. Parody and Satire
  2. Time Shifting
  3. Format Shifting
  4. Music Shifting
  5. Teaching

2. The Anti-Circumvention Provisions

Anti-circumvention provisions must be directly linked to copyright infringement.

The anti-circumvention provisions have been by far the most controversial element of recent attempts at Canadian copyright reform. The experience in the United States, where anti-circumvention provisions effectively trump fair use rights, provides the paradigm example of what not do to. It should only be a violation of the law to circumvent a technological protection measure (TPM) if the underlying purpose is to infringe copyright. Circumvention should be permitted to access a work for fair dealing, private copying, or any other legal purposes. This approach – which is similar (though not identical) to the failed Bill C-60 – would allow Canada to implement the World Intellectual Property Organization’s Internet treaties and avoid some of the negative “unintended consequences” that have arisen under the DMCA.

The need for the link between anti-circumvention for the purpose of copyright infringement is crucial since to do otherwise goes far beyond what is needed to comply with the WIPO Internet treaties and ultimately has the effect of eviscerating fair dealing in the digital environment.

Indeed, using a C-61 style approach to anti-circumvention necessitates a myriad of exceptions. These include exceptions for:

  • Circumvention of cell phone locks
  • Fair Dealing
  • Court cases, laws, and government documents
  • Personal uses
  • Digital archiving
  • Teaching
  • Protection of Minors
  • Software filtering programs
  • Obsolete or broken digital locks
  • Non-infringing access
  • Research
  • Interoperability
  • Privacy
  • Perceptual disabilities

Many of these exceptions were missing from C-61. Should the government decide to re-introduce the C-61, exception-based approach to anti-circumvention, these additional exceptions should be included.

No ban on devices that can be used to circumvent a TPM, provided that it has non-infringing uses.

Canada should not ban devices that can be used to circumvent a TPM. The reason is obvious – if Canadians cannot access the tools necessary to exercise their user rights under the Copyright Act, those rights are effectively extinguished. If organizations are permitted to use TPMs to lock down content that threatens fair dealing, Canadians should have the right to access and use technologies that restores the copyright balance.

From a WIPO ratification perspective, there is no requirement for this provision. Indeed, Bill C-60 provided a model that did not touch devices themselves, choosing instead to target conduct involving circumvention for the purposes of copyright infringement. By removing the unnecessary ban on devices that can be used to circumvent, there is a greater likelihood that Canadians would have access to programs that could be used to retain their existing rights and protect their privacy.

Create authorized circumventers

The removal of the provisions that target the legality of circumvention devices is one way to help ensure that the law does not eliminate basic copyright user rights. There are other approaches, however, that can be introduced in tandem with that change. New Zealand's recent copyright law reforms introduced the concept of "qualified circumventers." The law grants special rights to trusted third parties who are permitted to circumvent on behalf of other users who are entitled to circumvent but technically unable to do so. The current list of qualified circumventers includes librarians, archivists, and educational institutions. This approach rightly recognizes that many people will be unable to effectively use the exceptions inserted into the law. By creating a class of trusted circumventers, the law creates at least one mechanism to ensure that users retain their existing copyright rights.

Establish a Positive Requirement to Unlock for Exceptions/Right of Access

Many countries have recognized the danger that combination of DRM and anti-circumvention legislation may effectively eliminate user rights or copyright exceptions in the digital environment. Creating exceptions is one way to address the issue, but another is to adopt an approach of "with rights come responsibilities." In this case, if companies obtain new legal rights for DRM, they must also shoulder the responsibility of unlocking their content when requested to do so by users for legal purposes. This is a common theme in copyright laws around the world, which often identify courts, tribunals or mediators as the source to ensure that rights holders do not use DRM to eliminate user rights.

3. The Intermediary Provisions

Establish a legal safe harbour for Internet intermediaries supported by a “notice and notice” takedown system

The creation of a legal safe harbour that protects Internet intermediaries from liability for the actions of their users is critically important to foster a robust and vibrant online world. Indeed, without such protections, intermediaries (which include Internet service providers, search engines, video sites, blog hosts, and individual bloggers) frequently remove legitimate content in the face of legal threats. Canadian law should include an explicit safe harbour that insulates intermediaries from liability where they follow a prescribed model that balances the interests of users and content owners. The ideal Canadian model would be a “notice and notice” system that has been used successfully for many years on an informal basis.

Establish a Useful Provision for ILTs

The inclusion of "Information Location Tool Providers" (ie. search engines) provisions in Bill C-61 was a bit of a surprise. By far the most problematic aspect of the ILT provisions was the creation of a notice-and-takedown system for search engines. Unlike ISPs - who were subject to the more-balanced notice-and-notice approach - ILTs were effectively subject to a notice-and-takedown system without any of the counter-notification or balancing provisions contained in the U.S. DMCA. Bill C-61 created a parallel notice and takedown system for ILTs since section 41.27(2)(f) limited the availability of the safe harbour to instances where no notification of copyright infringement has been received. This would have effectively forced ILTs to remove content upon notification since failure to do so risked potential liability.
While a notice-and-takedown approach for ILTs was bad enough, it was made worse by the absence of any balancing provisions. For example, the U.S. DMCA includes a "counter-notification" provision that allows for the re-posting of content that has been taken down. There was no such provision in C-61, meaning that the ILT provisions were ripe for abuse. There are benefits to creating an ILT safe harbour, but they should not incorporate a notice-and-takedown requirement.

Reject A Three-Strikes and You’re Out System

Several countries have begun to consider establishing a “three-strikes and you’re out system” that removes Internet access based on unproven allegations of infringement. Attempts at three-strikes systems have struck out in virtually every country where they have been raised. Internet access is far too important to establish a system that would cut off access based on unproven allegations of infringement. The proposals raise a host of due process and constitutional concerns and should be rejected as a possible alternative for Canada.


4. Modernize the Law

Modernize the backup copy provision

As part of a major set of copyright reforms in 1988, Canadian copyright law was amended to allow for the making of backup copies of computer programs. In 1988, backing up digital data meant backing up software programs. Today, digital data includes CDs, DVDs, and video games. All of these products suffer from the same frailties as software programs, namely the ease with which hard drives become corrupted or CDs and DVDs scratched and non-functional. From a policy perspective, the issue is the same - ensuring that consumers have a simple way to protect their investment. "Modernizing" copyright law should include bringing this provision into the 21st century by expanding the right to make a backup copy to all digital consumer products.

Rationalize the Statutory Damages Provision

Canada is one of the only countries in the world to have a statutory damages provision. It creates the prospect of massive liability – up to $20,000 per infringement – without any evidence of actual loss. This system may have been designed for commercial-scale infringement, but its primary use today is found in the U.S. where statutory damages led to the massive liability for several peer-to-peer file sharing defendants and leaves many with little option but onerous settlement. Before Canada faces similar developments, we should amend the statutory damages provision by clarifying that it only applies in cases of commercial gain. Moreover, the provision should not apply where the infringer had a good faith belief that the alleged infringement was fair dealing.

5. Enhance the Public Domain

Do not harm the public domain with copyright term extension

While some countries have extended the term of copyright beyond the Berne Convention requirement of life of the author plus 50 years, there is no compelling reason – either from an economic, creativity, or innovation perspective – to extend the term. Indeed, there are strong arguments that harming the public domain would have the opposite effect. The government should make a clear commitment not to extend any further. Moreover, it should identify a presumed public domain date (based on birth date and reasonable life expectancy) to facilitate digitization of Canadian heritage.

Abolish Crown Copyright

Dating back to the 1700s, crown copyright reflects a centuries-old perspective that the government ought to control the public's ability to use official documents. Today crown copyright extends for fifty years from creation and it requires anyone who wants to use or republish a government report, parliamentary hearing, or other work to first seek permission. While permission is often granted, it is not automatic. The Canadian approach stands in sharp contrast to the situation in the U.S. where the federal government does not hold copyright over work created by an officer or employee as part of that person's official duties. Government reports, court cases, and Congressional transcripts can therefore be freely used and published.

The existence of crown copyright affects both the print and audio-visual worlds and is increasingly viewed as a barrier to Canadian film making, political advocacy, and educational publishing. Beyond the policy reasons for abandoning crown copyright, there are financial reasons for reforms. The federal crown copyright system costs taxpayers hundreds of thousands of dollars. Documents from Public Works and Government Services Canada, which administers the crown copyright system, reveal that in the 2006-7 fiscal year, crown copyright licensing generated less than $7,000 in revenue, yet the system cost over $200,000 to administer. In most instances, Canadians obtain little return for this investment. Ninety-five percent of crown copyright requests are approved, with requests ranging from archival photos to copies of the Copyright Act.

Given the significant costs associated with a program that does more harm than good, any new copyright reform should eliminate crown copyright and adopt in its place a presumption that government materials belong to the public domain to be freely used without prior permission or compensation.


6. Effective Library and Education Provisions

Do Not Implement An Internet Exception for Education

One of the most controversial aspects of Bill C-61 was the inclusion of special educational Internet exception. The provision split the education community, generating support from some education groups and opposition from others. I do not believe that the exception is either necessary or equitable. The law already permits many educational uses of Internet materials without compensation. The educational Internet exception should be dropped in favour of a more flexible fair dealing provision discussed above that treats educators, creators, and all Canadians in an equitable manner.

In fact, the Internet exception was more than just unnecessary - it was harmful. First, rather than improving access, the exception would have encouraged people to take content offline or to erect barriers that limit access (including DRM). Many website owners who may be entirely comfortable with non-commercial or limited educational use of their materials, may object to a new law that grants the education community unfettered (and uncompensated) usage rights. Accordingly, many sites may opt out of the exception by making their work unavailable to everyone. This is obviously a lose-lose scenario that arises directly out of the exception.

Second, the implication of the exception was that using publicly-available Internet materials is not permitted unless one has prior authorization or qualifies for the exception. This suggests that millions of Canadians outside the education system who use Internet-based materials are somehow violating the law. This is simply wrong - an enormous amount of online content is intended for public use or qualifies as fair dealing - and to imply otherwise sends the wrong message. Indeed, many of the concerns expressed by the education community apply equally to other groups who do not qualify for the exception. Third, the exception may have violated international law. There are doubts that the provision complied with Canada’s existing obligations under the Berne Convention, the world's foremost international copyright treaty. Given that the exception raised these real harms, it should scrapped by moving toward a flexible fair dealing provision.

Library Provisions Should Rely on Fair Dealing

E-reserves are the electronic equivalent of the traditional library book reserves - books or materials that a professor places on reserve in the library so that it is accessible to the entire class. In the aftermath of the LSUC v. CCH Supreme Court of Canada decision, a growing number of universities began to establish (or consider establishing) e-reserve policies based on fair dealing. Most libraries had traditionally sought licenses for the use of electronic copies of these additional research and reading materials, yet the frustration of lengthy delays and the CCH case spurred many to think about a fair dealing based approach. For example, the University of Calgary has established an e-reserve policy that links to accessible online content and scans print material that qualifies as fair dealing. The move toward fair dealing based e-reserve policies have been gaining momentum in Canada, yet Bill C-61 tried to steer libraries in a different direction as the bill includes a specific provision that promotes a license-based approach. New legislation should reverse that course by emphasizing the benefits of a fair dealing model.

7. Contract and Copyright

The use of contractual terms to effectively void privacy protection or basic copyright user rights has become all too common with cases such as the Sony rootkit providing a classic example of how contractual terms that quash important legal rights are buried beneath the "I agree" button.

Governments are understandably loath to intervene in privately negotiated contracts. However, not every contract or contractual term is enforceable - there are certain terms (and certain contracts) which run counter to important public policy goals that will often be rendered unenforceable by a sympathetic court. On this particular issue, we should not wait for the courts to intervene. Rather, Canada should identify the core protections and policies that underlie the copyright balance and establish rules that prohibit attempts to "contract out" of such terms.

2009 Copyright Consultation
Thursday September 10, 2009
The Final Copyright Consultation Roundtable Summary: Who Said What

Although the government has still not posted the transcripts from the final two copyright roundtables, all ten have now been completed.  In all, 111 groups and individuals participated.  As the chart below shows, the music and publishing industries led the way with the most representatives, followed by film/movie, creators, collectives, libraries, and academics.  Most groups appeared once, the exceptions being ACTRA and the Songwriters Association of Canada (twice each).

Number of Appearances Groups/Individuals
8
  • Music Industry
  • Publishers
7
  • Film/Movie
  • Copyright Collectives
  • Performers, Artists and Writers
  • Library
  • Academics
  • ISPs
6
  • Civil Society
  • Students
5
  • Business Groups
  • Education
  • Other
4
  • Musicians/Songwriters
  • Museums
  • Broadcasters
  • Lawyers
2
  • First Nations Groups
  • Photographers
  • Software
  • Internet companies
1
  • Archivists
  • Blind



The top issues raised during the roundtables mirror the issues discussed in the thousands of submissions that have been posted online.  These include fair dealing, WIPO ratification, the approach on anti-circumvention, and ISP liability.  Other notable issues included crown copyright, statutory damages, and subject specific recommendations for photographers, archivists, and museums.  A full summary of key messages is posted below.

 

Location
Name and Organization
Key Messages
Vancouver
Richard Brownsey, British Columbia Film
Balance
Paul Whitney, Canadian Urban Library Council
Library exemptions, expansion of fair dealing, circumvention for non-infringing purposes.
Danielle Parr, Entertainment Software Association of Canada
Anti-circumvention provisions, Canadian piracy of video games is disproportionate to the United States, TPMs used for more than preventing piracy.
Mira Sundara Rajan, Canada Research Chair and Intellectual Property Law at UBC
Balance and clarity in copyright, Canada signed the WIPO treaty and should implement it.
Richard Rosenberg, BC Freedom of Information and Privacy Association
Effects on privacy if too many responsibilities are handed to ISPs.
Niina Mitter, British Columbia Library Association’s Copyright Committee
Opposed to blanket prohibitions of circumvention devices, exemptions for the disabled, defence of a good faith belief that infringing actions were protected by fair dealing, expand fair dealing.
Elizabeth Reigns, President, British Columbia Association of Magazine Publishers
Lawsuits against individuals do not help protect creators, balance, end Crown Copyright.
Lisa Codd, British Columbia Museums Association
Copyrights terms for photographs.
Charles Laser, Writers Guild of Canada
Restrict commercial infringement and not consumer behaviour, legalize format shifting and time shifting, implement WIPO.
Bill Henderson, Songwriters Association of Canada
Legalize P2P with monthly ISP levy.
Margot Patterson, Canadian Association of Broadcasters
The government should consider the implications for the marketplace of the provisions it puts into place.
Steven Ellis, Canadian Film and Television Production Association
Clarity and balance, supportive of TPMs, increase web capacity instead of throttling, levy on ISPs.
Geoff Glass, Vancouver Fair Copyright
No parody protection in Canada for shows like The Daily Show or The Colbert Report, limit anti-circumvention to infringing activities.
Ian Boyko, Canadian Federation of Students
Expand fair dealing in line with the case of CHH v. The Law Society of Upper Canada.
Calgary
Lee Webster, Canadian Chamber of Commerce
Copyright rewards creative efforts, Canada lags in IP reform, supportive of WIPO and Bill C-61.
Catherine A. Campbell, Canadian Publishers' Council
Agreed with the principals of Bill C-61, implement WIPO, support licensing options.
Peter Pilarski, Alberta Director Retail Council of Canada
Technologically neutral changes to copyright, clarify fair dealing.
Kay Shea, Vice President External of the University of Calgary Students Union
Digitization of learning, legitimate uses for circumvention devices.
Rob Tiessen, Canadian Library Association
Expand fair dealing, create a good faith defence to statutory damages, circumvention for non-infringing purposes, end Crown Copyright, notice-and-notice system over notice-and-takedown.
Cynthia Rathwell, Vice President of Regulatory Affairs Shaw Communications
Opposed to a graduated response which could lead to ISPs denying Internet access to households, notice-and-notice over notice-and-takedown.
Gary Maavara Corus Entertainment and Canadian Association of Broadcasters
Exemptions for radio stations
René Smid, Executive Director for Digital Alberta
Free media is not a sustainable business model, expand fair dealing.
Gatineau
Serge Sasseville, Quebecor
Supported C-61, welcomed making file-sharing illegal, urged the implementation of WIPO, digital copyright reform, support notice-and-notice for ISPs
John Lawford, Public Interest Advocacy Centre
Danger of anti-circumvention without link to copyright infringement, legalize time and format shifting, favour notice-and-notice, concerned about Lawful Access creeping into copyright.
Jeremy deBeer, University of Ottawa
Canadian copyright law among the best in the world, DRM is an outdated business model, fair dealing reform, technologically-neutral approach.
Steve Wills, Manager of Legal Affairs Association of Universities and Colleges of Canada
Balance, Internet exception for education, exempt ISPs from copyright liability.
Rick Theis, Canadian Alliance of Student Associations
Fair use for education, digital transfers within libraries, digital locks could limit fair dealing and access for the disabled.
Michael Geist, University of Ottawa
Technologically neutral approach, greater clarity and simplification of the Act, flexible Act, guard against DRM.
Violet Ford, Inuit Circumpolar Institute
Concerns about Inuit intellectual property and traditional knowledge.
Paul Jones, Canadian Association of University Teachers
Expand fair dealing, anti-circumvention with link to copyright infringement, allow for the defence of a good-faith belief that the infringement was covered by fair dealing.
Mathew Johnson, Media Awareness Network
Educational exceptions, anti-circumvention and fair dealing not inhibit media education.
Brian Boyle, Canadian Photographers Coalition
Photography provision
Diana Nemiroff, Canadian Museums Association
Exhibition right, costs to museums.
Rosalie Fox, Canadian Association of Law Librarians
Expand fair dealing, preservation and access to digital material.
Laura Murray, Queen's University
Balance, clarity, fair dealing, anti-circumvention with link to copyright infringement.
David Keeble, Consultant
Benefits in the value chain, monetize P2P, copyright tariffs based on consumption, not copying.
Roanie Levy, Access Copyright
Fair dealing reforms inappropriate where collective licences available.
Nancy Morrelli, Association of Canadian Archivists
Digital environment allows for expanded archives, equal access, technological neutrality, restrictions on archiving.
Jay Kerr-Wilson, Business Coalition for Balanced Copyright
Fair use exception, free market and regulatory measures as last resort, anti-circumvention with link to copyright infringement, networks should not play enforcement role.
Graham Henderson, CRIA
WIPO drives innovation, unrestrained file sharing hurts Canadian artists, balance, clear and predictable rules, foster innovation, framework consistent with international standards.
Jessica Litwin, Canadian Conference of the Arts
No position taken
Fran Cutler, CNIB
Specific reforms to perceptual disabilities provision, right to circumvent TPM
Winnipeg
Carolyn Wood, Association of Canadian Publishers
Print books still sustainable business model, no change to fair dealing, avoid format specific law.
Sid Rashid, University of Manitoba Students' Association
Fair dealing, format shifting.
Merit Jensen-Carr, Documentary Organization of Canada
Documentary makers cannot afford copyrighted material, expand fair dealing, U.S. fair dealing more flexible.
Karen Adams, Canadian Association of Research Libraries (CARL)
Balance, clarify fair dealing, circumvention for non-infringing purposes, concerned about high statutory damages.
Nichole Cyr Hiebert, MTS Allstream
Opposed to ISP liability or taking on a policing role, notice and notice, personal use rights, link circumvention to copyright infringement, technological neutrality.
Cecilia Araneda, Winnipeg Film Group
Artists need fair dealing, opposed to a statutory damage system, clarity and consistency.
Christopher Dutchyn, University of Saskatchewan
No to copyright term extension, opposed to digital locks, access to digital materials, fair dealing.
Sean McManus, Manitoba Music
Less aligned with CRIA, not interested in anti-circumvention legislation or suing their fans, looking for new ways to monetize.
Alan Willaert, American Federation of Musicians
Endorsed C-61, WIPO, current fair dealing protections are adequate, notice and takedown, expand private copying.
Halifax
Paul Sharpe, American Federation of Musicians
Performers deserve to be compensated, implement WIPO, expand private copying levy.
Wendy Noss, Canadian Motion Picture Distributors Association
Implement WIPO, ISPs should play a greater role, consumers have more legitimate options in countries with reformed copyright laws.
Annie Morin, Canadian Private Copying Collective
Expand private copying levy to deal with new technologies
Ian McKay, NRCC
Implement WIPO, commercial radio unfairly subsidized at the cost of artists.
Paul Taylor, International Alliance of Theatrical Stage Employees
Implement WIPO, protect TPMs, ISPs must play a role in halting copyright infringement, notice-and-notice is inadequate, favour notice-and-takedown.
Dan Soucoup, Nimbus Publishing
New business model, fair regime.
Brad Keenan, Alliance of Canadian Cinema, television and Radio Artists (ACTRA)
Implement WIPO, update private copying regime to new technologies, mechanism for creators to pursue online infringement, look to European model and not U.S. model.
Barry Sookman, McCarthy Tetrault
Implement WIPO, anti-circumvention legislation, graduated response, no broad fair dealing.
Marc Belliveau, Stewart McKelvey
Opposed to using language like “thief” and “pirate” that lowers the debate.
Jonathan Stevens, Music Nova Scotia
Levies on ISPs for legal content, distribution of royalties.
Marian Hebb, Lawyer
Parody exception, collective model for other exceptions with ISP levy.
Don Quarles, Songwriters Association of Canada (SAC)
Legalize P2P with monthly ISP levy.
Michael Hilliard, Microsoft Canada
Implement WIPO, generally supportive of Bill C-61, protection of TPMs, statutory damages.
Edmonton
Linda Cameron, University of Alberta Press Opposed to expanding fair dealing, no  broad education exemption, copyright collectives, protect TPMs
Shane Kennedy, Lone Pine Productions Protect TPMs, no vague fair dealing
Ernie Ingles, Vice Provost, University of Alberta Fair dealing, circumvention for non-infringing purposes, abolish Crown Copyright, flexibility
Myrna Kostash, Writer No change to fair dealing, no new exceptions, strengthen collective licensing
Jane Bisbee, Alberta Motion Picture Industries Association Fairness for both sides
Chris Henderson, University of Alberta Students Union Access to copyrighted materials for education and research
Alexandra Hatcher, Alberta Museums Association Research and study exemptions for museums
Rick Leech, Library Association of Alberta Balance, fair dealing, research and education exemptions, circumvention for non-infringing purposes, end Crown Copyright, access for the disabled, notice and notice
Quebec City
Jean Grégoire, University Students Association of Quebec Expand fair use, education exemptions
Hélène Messier, Société québécoise de gestion collective des droits de reproduction (COPIBEC) Balance, collective management, licenses, artists need to be paid.
Raymond Legault, Union des artistes Expand private copying levy, moral rights, P2P
Alain Lauzon, Society for reproduction rights of authors, composers and publishers in Canada (SODRAC) Expand personal use, no expansion to fair use, no new exceptions, limit P2P
Christian Bédard, Regroupement des artistes en arts visuels (RAAV) Resale rights, exhibition royalties, protection for photographs
Aline Côté, Association nationale des éditeurs de livres (ANEL) Control over digital content/eBooks
Alexia Roussos, Association des producteurs de films et de télévision du Québec (APFTQ) Notice-and-notice, technological neutrality, royalties
Diane Lamarre, Professional Music Publishers Association (PMPA) Expand private copying levy, technological neutrality
Lyette Bouchard, Association québécoise de l'industrie du disque, du spectacle et de la vidéo (ADISQ) Balance, technological neutrality, limit illegal file-sharing, opposed to radio exemptions
Jean Chabot, Association pour l'avancement des sciences et des techniques de la documentation Fair use, library exceptions, clarity, flexibility
Martin Hudon, Conférence des recteurs et des principaux des universités du Québec (CREPUQ) Exceptions for digital content, clarity
Toronto
Suzanne Morin, Bell Canada
High cost of notice-and-notice, opposed to three-strikes, failure to sue sends message, monetize P2P, need to educate Canadians about copyright
Jay Thomson, Canadian Association of Internet Providers (CAIP)
Educate Canadians about copyright, notice-and-notice, opposed to notice-and-takedown and three-strikes
Sam Boutziouvis, Canadian Council of Chief Executives (CCCE)
Bill C-61 balanced rights of users and creators, technological neutrality, Canada falling behind in IP
Gerry McIntyre, Canadian Educational Resources Council (CERC)
Balance, Bill C-61 did not do enough for rights-holders, collective licenses for works used in schools, opposed to an extension of fair dealing, no new exceptions, implement WIPO
Duncan McKie, Canadian Independent Record Production Association (CIRPA)
Music associations unwilling to move to Canada, implement WIPO, expand private copying levy
Catherine Saxberg, Canadian Music Publishers Association (CMPA)
Protect rights of creators, ratify WIPO, clarity, technological neutrality, expand private copying levy, ISPs are the main beneficiaries of file-sharing and should do more to stop it, license online content
Bernard A. Courtois, Information Technology Association of Canada (ITAC)
Balance, new Internet business models should not be regulated by the government, personal use rights, notice-and-notice, research exemptions
Jacob Glick, Google
Expanded fair dealing, safe harbours for ISPs and search engines, circumvention for non-infringing purposes, monetize P2P, copyright is not a zero-sum game
Ken Thompson, Rogers Communications
ISP neutrality, notice-and-notice, opposed to notice-and-takedown, time-shifting, no digital taxes on online music
John McKeown, Institut de la propriété intellectuelle du Canada (IPIC)
Implement WIPO, effective enforcement mechanisms, restrict online piracy
David Basskin, Canadian Private Copying Collective (CPCC)
Expand private copying levy
Samuel Trosow, University of Western Ontario
Extend fair dealing, clarity, technological neutrality, licensing schemes, limit high damages
Stephen Waddell, Alliance of Canadian Cinema Television and Radio Artists (ACTRA)
Implement WIPO, expand private copying regime, stronger penalties for commercial infringement, collective licensing, more protection for artists
Giuseppina D’Agostino, York University
Reform should be based on evidence and not the loudest voices, clarity and simplicity, protect creators over rights holders
David Fewer, Canadian Internet Policy and Public Interest Clinic (CIPPIC)
Opposed to DMCA approach, circumvention for non-infringing purposes, parody protection, consumer backups, limit statutory damages, public domain, digitization initiatives, Crown Copyright, monetize file-sharing
Peterborough
Craig McTaggart, Telus
Personal use rights, expand fair dealing, opposed to graduated response, opposed to extending the private copying levy
Chris Tabor, Campus Stores Canada (CSC)
Importation monopolies of books, fair dealing, eliminate Crown Copyright
Graham Stairs, Music Managers Forum Canada (MMF Canada)
Support WIPO, personal use rights, ISPs profit from online file-sharing, private copying regime, licensing schemes 
Kristian Clark, Canadian Artists’ Representation/Le Front des artistes canadiens (CARFAC)
Generally supportive of Bill C-61, Re-sale rights
Jason Bird, Kawartha Pine Ridge District School Board
Fair use, DRM, exceptions for educational purposes, opposed to digital licensing of the Internet
Victoria Owen, Ontario Library Association
Fair dealing, circumvention for non-infringing purposes, protection from statutory damages when the user reasonably believed they were protected by fair dealing or other exceptions, protections for the disabled
Robert Labossière, Canadian Art Museum Directors’ Organization (CAMDO)
Complexity of Copyright Act, exceptions, exhibition right, need for more research, digital collections
Howard Knopf, Macera & Jarzyna/Moffat & Co.
Simplify fair dealing, exception for parody, eliminate private copying levy, restrict high statutory damages, no three-strikes, circumvention for non-infringing purposes, technological neutrality
Chris Pang, Canwest
Clarity and predictability, tariffs, fairness
Stuart Wuttke, Assembly of First Nations
Protection for First Nations
Andre Cornellier, Canadian Association of Photographers and illustrators in communication (CAPIC)
Supportive of photography provisions in Bill C-61, current law favours the person who commissioned the photo rather than the photographer, stock photography
Elliot Noss, Tucows Inc.
ISP neutrality
Susan Wheeler, Rogers Media Inc.
Exemptions for radio stations, format shifting, simplify tariffs

 

2009 Copyright Consultation
Wednesday September 9, 2009
The Missing Roundtable Transcripts

The copyright consultation is days away from its conclusion and missing content from the consultation website has emerged as a problem.  The posting of submissions has been inconsistent throughout the process, but that may be a result of volume.  The delays in posting transcripts from the invitation-only roundtables, however, is inexcusable.  The Toronto roundtable took place on August 27th and the Peterborough roundtable on September 1st.  It should not take more than a week to post a transcript of each event.  While there are audio files available (which led to my post on the Bell comments in Toronto), most people do not have three hours to listen to the events.  Instead, many rely on transcripts and may want to respond to what is said in their final submissions.

2009 Copyright Consultation
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