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Monday May 11, 2009
House of Commons Lawyers Sent Takedown Notices Over Committee Video
In the spring of 2007, Friends of Canadian Broadcasting, the well-known broadcasting advocacy group, began to post videos and podcasts of Parliamentary committee proceedings on their website.  When officials at the House of Commons caught wind of their activities, they promptly sent a cease and desist letter, demanding that the videos and podcasts be removed from the Internet.  A lawyer for the House of Commons argued that posting excerpts from committee proceedings could be treated as "contempt of Parliament." The group responded that they did not want to remove the videos, but would be willing to follow a reasonable procedure to obtain the necessary permissions.  That response did not sit well with the Chairs of the Finance and Canadian Heritage Standing Committees, who upon learning that the group was offering webcasts and downloads of their proceedings, asked the Standing Committee on Procedure and House Affairs (SCPHA) to examine the issue to prevent further infringement. My weekly technology column (Toronto Star version, homepage version) notes that the idea that videos of committee hearings constitute proprietary content that when used without permission raise the potential for allegations of contempt of Parliament or copyright infringement will undoubtedly come as news to many Canadians.  Using these excerpts in YouTube videos, webcasts, or podcasts has emerged as an important and powerful tool for business and consumer groups to educate the public on policy issues and legislative proposals. Yet House of Commons lawyers maintain that many of these activities violate the law and have sent notice and takedown demands to YouTube seeking the removal of videos that include House of Commons and committee proceedings. These include clips that involve satire and parody, since they are seen to "distort" the video itself.

SCPHA hearings held earlier this year revealed that Canada's elected officials safeguard Parliamentary video with very restrictive licencing requirements that are generally limited to use in schools or for private study, research, criticism or review.  Relying on crown copyright, the policy states that any other use - including any commercial use - requires the express prior written approval of the Speaker of the House of Commons. This stands in sharp contrast to the United States, where the default presumption is that such videos are in the public domain and can be freely used without permission.  House of Commons lawyers portrayed that approach as representing an extreme position.

To their credit, most of the MPs on the Committee recognized that changes to the policies in the YouTube era are needed.  However, MPs from the three opposition parties expressed some reluctance to mirror the U.S. approach, fearing that some videos taken out of context could be "terrifically damaging." Bloc MP Claude DeBellefeuille raised the possibility of lawsuits to enforce the copyright and noted that "we will have to establish rules so that we have some recourse and that remarks can be withdrawn after they have been broadcast and pointed out."

Conservative MP Scott Reid came closest to recognizing the problems associated with retaining certain restrictions, warning against policies that provide that videos are "usable for certain purposes but not for the purposes that lie at the heart of what this speech is for."  Instead, he argued that using video excerpts for either favourable or critical purposes would be appropriate.

The Committee ultimately adopted a liberalized policy that permits non-commercial, accurate reproduction without prior permission.  Commercial uses still require prior approval, while "distorting" a video for parody, satire or political comment purposes may still fall outside the licence and lead to demands for its removal.  The new policy is a modest improvement, but it fails to fully realize the potential of public political participation through online video.

house of commons video column

In the spring of 2007, Friends of Canadian Broadcasting, the well-known broadcasting advocacy group, began to post videos and podcasts of Parliamentary committee proceedings on their website.  When officials at the House of Commons caught wind of their activities, they promptly sent a cease and desist letter, demanding that the videos and podcasts be removed from the Internet.  A lawyer for the House of Commons argued that posting excerpts from committee proceedings could be treated as "contempt of Parliament." The group responded that they did not want to remove the videos, but would be willing to follow a reasonable procedure to obtain the necessary permissions.  That response did not sit well with the Chairs of the Finance and Canadian Heritage Standing Committees, who upon learning that the group was offering webcasts and downloads of their proceedings, asked the Standing Committee on Procedure and House Affairs (SCPHA) to examine the issue to prevent further infringement.

My weekly technology column (Toronto Star version, homepage version) notes that the idea that videos of committee hearings constitute proprietary content that when used without permission raise the potential for allegations of contempt of Parliament or copyright infringement will undoubtedly come as news to many Canadians.  Using these excerpts in YouTube videos, webcasts, or podcasts has emerged as an important and powerful tool for business and consumer groups to educate the public on policy issues and legislative proposals. Yet House of Commons lawyers maintain that many of these activities violate the law and have sent notice and takedown demands to YouTube seeking the removal of videos that include House of Commons and committee proceedings. These include clips that involve satire and parody, since they are seen to "distort" the video itself.

Canada Post Plays Grinch in Takedown Fight

Teaser: 
Late last year, Canada Post and the Public Service Alliance of Canada became embroiled in a heated strike action over sick pay benefits. In the midst of the dispute, several PSAC members took direct aim at Canada Post CEO Moya Greene, recording a short parody video titled "The Greench." The video, which was posted on YouTube, adapted the well-known Dr. Seuss tune "You’re a Mean One, Mr. Grinch" to criticize Greene and the company.
Date Published: 
Monday, 26 January 2009
Publisher: 
Toronto Star
Description: 
canada post takedown column
Monday January 8, 2007
Policy Responses to the User-Generated Content Boom
After a two-week hiatus, my weekly Law Bytes column is back (Toronto Star version, homepage version) with some reflections on Time Magazine's selection of "You" as the person of the year.  Starting from the premise that the choice may ultimately be viewed as the tipping point when the remarkable outbreak of Internet participation that encompasses millions of bloggers, music remixers, amateur video creators, citizen journalists, wikipedians, and Flickr photographers broke into the mainstream, I focus on how governments and policy makers might assess how they fit into the world of a participatory Internet and user-generated content.  I argue that it can do so by focusing on the three "C’s" - connectivity, content, and copyright.

An obvious starting point for connectivity is the role that federal, provincial, and municipal governments can play to ensure that all Canadians have access to the high-speed networks that are the price of admission to the participatory Internet.  Canada's global broadband ranking has slipped steadily in recent years, as Asian and European countries leapt ahead with faster, more widely distributed high-speed networks.  Moreover, last year's Telecommunications Policy Review Panel concluded that reliance solely on market forces would likely leave hundreds of thousands of Canadians without high-speed Internet access.

In response, Prime Minister Stephen Harper would do well to take the lead by implementing the broadband strategy that languished under the previous Liberal government.  Moreover, network neutrality legislation, which mandates that Internet service providers treat all content and applications in an equal manner, is desperately needed to ensure that user-generated content is not consigned to the slow lane of a two-tier Internet envisioned by some ISPs.

The federal government can also play an important role by improving Canadians' access to the content it controls or helps fund.  There are a surprising number of possibilities, each of which can be implemented at minimal cost and without new legislation:

  • the elimination of crown copyright, the archaic rules that grants government control over taxpayer-funded work
  • the introduction of open access requirements for federally-funded research to help leverage the hundreds of millions of dollars invested in federal granting institutions for health, science, and social science research
  • the establishment of new incentives in book publishing and television production funding programs to encourage open business models, and
  • the repositioning of CBC content by adopting open licenses that invite the public to remix the content to tell their own stories.

Copyright rules that balance appropriate protection with fair use are the third "C".  The Supreme Court of Canada has already embraced the balanced approach, warning in a prescient 2002 decision that "excessive control by holders of copyrights and other forms of intellectual property may unduly limit the ability of the public domain to incorporate and embellish creative innovation in the long-term interests of society as a whole, or create practical obstacles to proper utilization."

Industry Minister Maxime Bernier and Canadian Heritage Minister Bev Oda can heed the court’s words by adding a "fair use" exception to the Copyright Act.  Already supported by telecommunications giants such as Telus and Rogers, as well as artist, education, and consumer groups, fair use would reduce the legal uncertainty faced by many Canadians as well as encourage new creativity and innovation.

Fair use will mean little, however, if content is locked behind the digital walls that have generated a free speech chill in many countries.  Canada can avoid a similar fate by rejecting legislation that promotes the use of digital rights management technologies.

user generated content column

After a two-week hiatus, my weekly Law Bytes column is back (Toronto Star version, homepage version) with some reflections on Time Magazine's selection of "You" as the person of the year.  Starting from the premise that the choice may ultimately be viewed as the tipping point when the remarkable outbreak of Internet participation that encompasses millions of bloggers, music remixers, amateur video creators, citizen journalists, wikipedians, and Flickr photographers broke into the mainstream, I focus on how governments and policy makers might assess how they fit into the world of a participatory Internet and user-generated content.  I argue that it can do so by focusing on the three "C’s" - connectivity, content, and copyright.

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